Just a quick post about Broken Angels by Richard Morgan, the second novel (that I have read) starring Takeshi Kovacs. It’s a more avowedly space operatic, dealing with galactic politics, planetary uprisings and ancient alien civilisations. By contrast, Altered Carbon was very grounded.
This story has a very concise plot: it’s a quest novel. The aim of the quest is to get through a warzone and claim an ancient stargate-like device, and the starship that’s accessible through that gate. All the typical quest elements are there — gathering together a crew, getting funding (I bet Gandalf didn’t have that problem) and transportation, having a saboteur on board, and so on.
The interesting bits, for me, were again related to the author’s continued use of “black boxes” for personalities, and the ability to insert those personalities into new bodies at any reasonable point. The concept of death becomes less forbidding, especially to the soldiers who constitute most of the supporting characters. Death is like computer-game death: just wait to be respawned and jump back into the fray.
With all this fake death, of course, there must be a Real Death, when your “black box” gets destroyed too. And for some reason, a Real Death in the story seems so much worse than real death. I guess because we’re not used to thinking in terms of body death being separate from personality death. Coming to terms with the fact that being killed isn’t so bad is a very large hurdle to overcome. That there is something worse than being killed seems really difficult to fathom.
The two-thirds point of the book reaches proper mind-blowing scifi proportions. Space is big, according to The Guide, so I guess spaceships must also be big. I find it hard not to enjoy the absurd scale of such vessels. It’s one of the Iain M Banks traits I’ve always liked: the ability to completely pull the rug out from beneath your sense of perspective.
Nick mentioned Altered Carbon to me the other day. He said he found the killing objectionable in some way. I don’t remember the details of what he said. The scenes he cited didn’t particularly bother me. Both Black Man (which I read first) and Broken Angels contain scenes which, to me at least, are much more disturbing. If you are particularly squeamish about torture I advise you stay away from these books. In particular, I think there’s something more terrifying about computer-mediated torture. Something about the fact that there is literally no chance of appeal, because the machine isn’t designed to relent or be merciful. I find that idea much more disturbing than a firefight.